I totally saw that coming – and I totally teared up anyway

Whether I read in publication order or Asimov’s preferred order, the middle book of the Empire “trilogy” is the middle book. I can’t screw it up! The Stars, Like Dust is that book. It’s weird.

As is usual with Asimov, the focus is on political and social injustice and the need for change. However, the message is somehow simultaneously more on-the-nose and less prevalent than usual.

The book opens as the sleeping Biron Firrell is wakened from a deep sleep by a call. (The first couple of paragraphs are amazingly true to life today, basically he put his phone on vibrate, but he’s woken up anyway when someone tries to Skype him with a terrible connection.) Once awake, Biron realizes that his lights aren’t working, his “visiplate” will receive but not send, his ventilation system is off, and he can’t get out the door. As a college student ready to graduate in a few short days, he naturally assumes this is a prank, until he discovers the radiation bomb in his closet. He is saved by Sander Jonti, who had realized his peril just in time.

Jonti, it turns out, knows Biron’s father, the Rancher of Widemos, who has just been arrested and is likely to be executed shortly. Jonti suggests to Biron he needs to get off planet and head to the Director of Rhodia for assistance. That’s the first 1 and 1/2 chapters and the names and places are already difficult to keep track of, aren’t they? Things get even more convoluted from there, so I’ll boil it down to this. There are a group of planets on the other side of the Horsehead Nebula called the Nebular Kingdoms. They have been taken over by Tyranni who are (surprise!) tyrannical. Each world maintains a semblance of their former government (Rancher and Director are examples) but are, in fact, ruled by the Khan or Tyran. Their seems to be a group of rebels planning to fight against their rule and Biron’s father is one of them. It’s never clear just how much of this Biron knew, but he had been tasked by his father to find a certain document on Earth before he leaves, which he fails to do. This document will supposedly destroy the Tyranni rule but it is rarely mentioned through the story.

Of course, no one is as they seem. There are so many twists and turns, double- and triple-crossing, lying and spying, it all gets a bit boring after a while. There’s also a surprising amount of violence, most of it hand-to-hand, and a seemingly out-of-place love story. This is not to say The Stars, Like Dust is not worth reading. The first 9 chapters are riveting (and the first, down right scary) and the last 5 chapters create a surprisingly satisfying (the obvious) close.

I’ve now reached a point where I’m both out of things to say and brimming with thoughts I want to express. It seems a fitting way to end my review of a dichotomous novel.

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Spelunking NYC

I started reading Caves of Steel with a sense of excitement. I’d thoroughly enjoyed I, Robot, after all, and I’m a huge fan of the turn-of-the-century mysteries of which Asimov was fond, so the idea of a good old-fashioned detective story set in the Robot universe was extremely appealing.

Okay cover, doesn’t have much to do with the story.

Detective Elijah Baley is a New York City cop some thousand plus years into the future from I, Robot. The city now exists entirely indoors, though I honestly never was quite clear on whether it was all underground or if the cities were somehow enclosed, and sprawls over 2,000 square miles (the state of Delaware is 1,948 square miles) including much of New Jersey. Connected by a single entry point to the city proper lies Spacetown, a domed open-area where people from the Outer Planets live. The Spacers are descendants of Earth Colonists who headed out to the stars a thousand years before. They have long-since gained independence from Earth and created their own societies and norms, which include the ubiquitous use of robots. Earthmen have never lost their fear and discomfort with robots so evident in Asimov’s short stories, and resent the Spacer’s attempts to introduce robots into their way of life. When a prominent Spacer is murdered, Baley is assigned the case and a new Spacer partner, R. Daneel Olivaw. The R. stands for Robot.

I have no idea what this thing is supposed to be!

Much of the first half of the book deals with Baley’s discomfort with his new assignment and partner. He repeatedly attempts to find ways to get out of both the case and the partnership. He also flatly refuses to consider that possibility that an Earthman may be the culprit, concocting wild speculations as to his partner’s guilt several times which are easily taken apart. Baley never visits the scene of the crime and takes the word of Daneel (his suspect!) and his boss as to the fact that there’s nothing worth bothering with there. Sherlock Holmes he is not. The real murderer is painfully obvious almost from the start, though the method and motive take some time for the reader to figure out. The “mystery” part of this story ended up a disappointment for me.

But I don’t think that the deductive process was Asimov’s main concern. Much of the story revolves around the conflict between the “Medievalists” and the Spacers.  The Medievalists yearn for a return to “simpler times”; to soil and open air, though the very idea of open air terrifies them to their core. The Spacers want to see more colonization, believing that the people of Earth need to move out to the stars and begin anew. On the face of things, it would seem these goals would complement each other. Where else is there open space and soil to tend than on other planets? But the Medievalists want to reform Earth, without the help of robots, while the Spacers want to see new societies born that combine the best of their technology and economics with the best of Earth’s. It turns out that the Spacers have been pushing Robots on the people of Earth in the hopes that enough people will lose their jobs to the machines that they will want to leave Earth. Instead, they create a backlash against themselves and their technology that threatens both sects’ ideologies.

This one at least tried.

The ideas presented are intriguing, though the storytelling was uneven at best. It’s hard to understand the apparent love the Earthmen have for their cities; the lack of fresh air, the homogenized culture (everyone speaks English and the cuisine of the world is flavored yeast), the lack of privacy or autonomy, it sounds like a nightmare to me. At the same time, the Spacers have eradicated disease and live for hundreds of years which has caused them to become hyper-vigilant when it comes to population control; long-since closing their borders to new colonists, who might bring disease with them, and euthanizing children born with congenital or mental defects. If you could only choose one of these ways of life, which would it be? If you were suddenly confronted with a 3rd option, one that combined the best of both, would you take it? These are the real questions Caves of Steel seeks to unwind. Me? I’d be the first one on the colony ship!