So the 2013 Hugo Ceremony was held about 10 days ago. I didn’t end up watching as by the time the stream actually started it was quite late for me and, as I believe I mentioned in my last post, I was less excited about this year’s nominees as a whole. There were three awards I truly felt invested in, Best Novel and the two Dramatic Presentation categories. There were other categories with excellent entries, and I cast votes for most of the categories, but I wasn’t waiting with bated breath to find out who won them.
The big winner of the night, Best Novel, was John Scalzi’s Redshirts. It’s no secret to those who have read my introduction, that I’m a big Scalzi fan, but I didn’t love Redshirts as much as some of his other novels and it did not end up my number one choice this year (that went to Kim Stanley Robinson’s 2312). That having been said, I was pulling for him to win (yes, I know that’s a bit weird – people are complicated!) and I couldn’t be happier for Mr. Scalzi. He’s said himself that there may be an element of “career award” to his win, and he’s certainly deserving of that! In other words, I ain’t mad at ya, Scalzi!
In the past few years, Best Dramatic Presentation Short Form, has been dominated by Doctor Who. This year’s nominees were three Doctor Who episodes, (“Asylum of the Daleks”, “Angels Take Manhattan”, and “The Snowmen”), a Fringe episode (“Letters of Transit”) and a Game of Thrones (“Blackwater”). You may remember that last year the entire season of Game of Thrones was nominated (and won) the long form drama category and the entire world is obsessed with that show, so it didn’t surprise me at all when George R.R. Martin won for his episode. Did I vote for it? No. (Well yes, but it was a low choice.) I voted for “Asylum of the Daleks” but again I’m perfectly happy for Martin to have taken home the prize. I’ve been A Song of Ice and Fire fan for many, many years and while I don’t love the show as much as the rest of world seems to, I do watch and appreciate the time and effort that go into making it. (Also, I pretty much always prefer the movie that plays in my head as I read to whatever ends up on-screen, regardless of anything else, so I’ve learned I have to take my reactions to adaptations with a grain of salt.)
I was also pleased to have Joss Whedon take home the Hugo for Best Dramatic Presentation Long Form, and in this case I actually voted his work my number one choice! He was actually nominated twice, once with Drew Goddard for Cabin in the Woods (which I am never going to watch and therefore did not include in my ballot because scary) and once as writer and director for Marvel’s The Avengers. I could write an entire post on the awesomeness of The Avengers, every time I watch it I catch something new – an Easter Egg for Marvel geeks, a throwaway joke, an unnamed extra doing something badass – all the things that have always made Joss so great are there with my favorite superhero team.
So, while I was thoroughly underwhelmed by the nominees in general this year, three of my favorite writers took home awards and I’m happy about that.
“Moving On” to the second part of this post, I’ve been desperately trying to make it back through Prelude to Foundation and it’s incredibly slow going. I know all the major plot points from reading it before, but I want to read it again before I post on it so I can pick up all the little bits related to the Robot and Empire series before I post on it. Meanwhile, there are hundreds of other books I want to read – many of them past Hugo nominees – and I’m putting them off because of some arbitrary rule I made up myself about reading the old stuff first. So I’m giving myself permission to change. From now on, I will be reading what I want, when I want and I will post about anything I deem appropriate whether it was nominated for a Hugo or not. The end goal will still be to read all the past Hugo nominees at some point – but there’s plenty of good Sci Fi and Fantasy that was never nominated and I’m not going to continue denying myself those reads for no reason beyond my own stubbornness. The occasional movie, graphic novel, or game might sneak in here on occasion too.